How To Get Expressive Guitar Vibrato Technique With Excellent Control
by Tom Hess
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Expressive guitar vibrato technique is one of the most, if not the most, expressive tools that we guitarists have in our arsenal of techniques. Continuous musical phrases without the potent thrill of guitar vibrato sound less dramatic than phrases with the right vibrato used in the right places and situations. Classical singers spend many years and a lot of effort trying to master expressive guitar vibrato with their voice. Many guitarists, however, don't spend much time trying to master this technique at all. Many teachers either don't value guitar vibrato much themselves or just take the technique for granted and do not stress the importance of vibrato enough to their students. It is unfortunate that the value of possessing expressive
guitar vibrato technique is often underestimated.
I believe that the best and most expressive guitar vibrato technique is slow to moderate in speed but wide in range. There are times, however, when a somewhat narrower range is needed (usually over slow and soft musical passages). A fast guitar vibrato technique can sometimes be effective, but use it with caution as it can lead to an out of control sound (and an out of tune sound if you are not careful). I very rarely use a fast or narrow guitar vibrato technique and my vibrato is never fast and narrow at the same time!
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Here are the most common problems that many inexperienced guitarists have playing with expressive guitar vibrato technique:
- The guitar vibrato is too fast. This sounds like a small annoying insect buzzing around your ears, and the note usually sounds out of control.
- The guitar vibrato is too narrow in range. Unless you are playing in a slow and soft musical passage, this makes the note your playing sound weak and timid.
- Guitar vibrato is not used enough. Notes decay too quickly and sound lifeless. This can cause the end of guitar phrases to sound boring.
- Guitar vibrato is being over used. Some players try to cram in vibrato at every possible chance they can. Overuse tends to lose its effectiveness on the listener.
- Guitar vibrato is used either poorly or not at all on bent notes. When a string is bent the note will naturally decay more quickly without a strong vibrato to support it. If you don't already know this, adding vibrato to a note (especially a bent note) can drastically increase the life and sustain of the pitch.
- The guitar vibrato is not in tune! This is a common problem on bent notes and is caused by inconsistent bending of the string by the fretting hand. You must be careful to make sure that the string is being bent to the same place every time otherwise the pitch will be inconsistent and out of tune. Another cause of the note sounding out of tune is that the bent note is not being released to the exact same pitch every time. If you have this problem and are having a hard time solving it, I recommend to practice using an electronic tuner that has needle meter. Watch the needle and make sure that you are bending and releasing the note to the same place every time. It will help if you do a slower guitar vibrato while practicing with the tuner.
I highly recommend listening to players that have expressive guitar vibrato technique. Here is a short list of virtuosos that have helped me to shape my own vibrato: Yngwie Malmsteen, George Bellas, Andy LaRocque (plays in the King Diamond band) and Jason Becker. There are, of course, other players who I think have excellent, expressive guitar vibrato technique too - here are a few more guitarist's vibratos to listen for: John Petrucci, Marty Friedman, George Lynch and Eddie Van Halen (on the older Van Halen recordings). Expressive guitar vibrato technique usually takes a long time to master. It wasn't until after playing for many years that I felt that my own guitar vibrato was where I wanted it to be. Finally, I'd like to suggest to you not to overlook or underestimate the importance and effectiveness of this highly expressive technique. Even after you master it, constantly work on it and continue to refine it always.
MASTER YOUR FRETTING HAND
FINGER INDEPENDENCE