by Tom Hess
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But soon after that, I began to study my favorite singers by simply paying very close attention to exactly how they were singing notes, their vocal phrasing, their vibrato and other nuances. Next, I began transcribing their vocal melodies to improve my lead guitar solos.
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In 1998, I heard the first Rhapsody Of Fire album and was completely blown away by the most amazing singer I had ever heard (Fabio Lione). I devoured the album (and over the years, more of the band’s vocal melodies and Fabio’s phrasing. I learned every single little nuance in those vocal parts.
It’s not about what was being sung, it was about why singers were making the musical choices they made over the music that mattered most. For example, why do great singers use different types of vibrato, why they sometimes delay the vibrato before applying it to a note, how they choose which notes to use vibrato on and which ones not. This was something I had never thought about before, but once I did, my own lead guitar solos immediately improved.
In early 2011, Rhapsody Of Fire asked me to join the band. My lead guitar phrasing skills were a key factor in why the band liked my style.
As a guitar player, making your lead guitar solos ‘sing’ is an invaluable thing to learn because of its expressive power. Another huge benefit of this is that you begin to think like both a guitar player and a singer which results in a totally new and fresh approach to composing guitar solos that ‘sing’.
For example, take a vocal melody that you like from one of your favorite singers, then learn the nuances of the phrasing and vibrato. Then compose lead guitar solos with those types of vocal elements.
To see this in action, watch this “how to create guitar solos that sing video”. You will see and hear how I quickly composed lead guitar solos using these ideas.
Ready to improve your lead guitar playing fast? Learn more about writing guitar solos that sing.