by Tom Hess
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Watch this video to see why directional picking technique helps you master guitar speed more easily:
Important: watch the entire directional picking technique video to understand the rest of this article!
Question: “Tom Hess, does directional picking technique only work for 3-note-per-string scales? What if I want to play pentatonic scales or other scales that don’t have 3 notes on every string?”
Answer: Directional picking technique works for everything you play. The principle of directional picking is to use the shortest possible path to the next note you need to play. Sometimes the shortest path to your next note is to use alternate picking. Other times, the shortest path is to use sweep picking to change strings and NOT use alternate picking. Integrating both mechanics achieves maximum guitar speed & efficiency with the least amount of effort.
By submitting your info, you agree to send it to Tom Hess Music Corporation who will process and use it according to their privacy policy.
Directional picking is identical to alternate picking when you play an even number of notes per string (such as 2-note-per-string pentatonic scales or 4-note-per-string chromatic scales).
The key to directional picking technique mastery is integration between alternate picking and sweep picking. Practicing 3-note-per-string scales forces you to isolate this element of playing and master it quickly. You alternate pick the notes on each string and sweep pick to move from one string to the next.
Here is an example of a 3-note-per-string scale:
Note 1: Pay attention to the picking markings shown in red. They illustrate the differences (and advantages) of directional picking over strict alternate picking.
Note 2: you should learn 3-note-per-string scale fingerings all over the guitar. This gives you more practice with directional picking and helps your fretboard visualization improve.)
Below are 5 steps that help you master directional picking technique with 3-note-per-string scales. Practice them and download this free directional picking cheat sheet with a summary of the steps (you don’t have to enter an email address). Print it out and keep it in your practice area to review the steps when you practice.
Directional Picking Technique Tip #1. Isolate The Picking Motion
Mute all the strings by laying your fretting hand across them. This prevents them from making sound when you pick them.
Doing this helps you focus only on the picking motion and programs the correct muscle memory into your picking hand.
Common mistake: Avoid stopping the pick between strings (after the last upstroke on the high E string and the first upstroke on the B string). Pull your hand back in a continuous motion.
Common mistake: Do not stop the pick between strings (after the last upstroke on the B string and the 1st upstroke on the G string). Pull your hand back in a continuous motion.
Think of the picking motions like this:
Descending:
Up – Down – Sweep (Pull the hand back) – Down - Sweep (Pull the hand back) – Down - Sweep (Pull the hand up) – etc.
Ascending:
Down – Up - Sweep (Push the hand through) – Up - Sweep (Push the hand through) – Up - Sweep (Push the hand through) – etc.
Watch the video (starting at 0:50) to see a demonstration of these picking hand motions (so you know how to practice directional picking correctly).
Directional Picking Technique Tip #2. Transition To 3-Note-Per-String Chromatics
After you learned the string change in isolation, begin to play 3-note-per-string chromatic patterns. Example: use fingers 1, 2 and 3 to play frets 5, 6 and 7 on every string.
Question: “But Tom Hess, I don't like the sound of chromatic patterns. Why do I need to practice chromatic runs for directional picking?”
Answer: Chromatic patterns allow you to focus 100% on your picking hand. Your fretting hand can go on autopilot, so you don't have to worry about playing wrong notes. At the same time, you also get to practice your 2-hand synchronization by training both hands to move together for every note.
You must train the correct motions into your muscle memory to form a new habit. Practicing with a focused mind helps you go through this step quickly. Focus your mind on:
Directional Picking Technique Tip #4. Integrate Directional Picking Into Context With Scales
Begin to practice all scales you know using directional picking. Mastering string changes on 3-note-per-string chromatics enables you to play any 3-note-per string scale smoothly with fast guitar speed.
Directional Picking Technique Tip #5. Use Effective Guitar Speed Building Strategies To Build Your Speed Even Higher
Building your technique foundation is the first step towards faster guitar speed. You also need effective guitar speed building strategies that help you reach your guitar speed potential.
Another Benefit To Using Directional Picking Technique For Fast Guitar Speed:
Directional picking helps you play scales and arpeggios easily with fast guitar speed. Using elements of sweep picking on string changes makes it easier to play 1-note-per-string arpeggios.
Practice directional picking when your practice time is limited. This helps you maintain a high level of technique without practicing scales and arpeggios separately.
Question: “Tom Hess, why do so many great guitar players use strict alternate picking over directional picking?”
Answer: Directional picking is a relatively new guitar picking technique. Alternate picking has been around a lot longer. Most guitar players from the 1980s, 1990s and 2000’s did not have anyone to teach them directional picking technique when they were beginners. They developed their guitar speed in spite of the inefficiencies of strict alternate picking… not because it is a superior guitar picking technique. They had to work much harder (and longer) to reach their goals.
Now that you know why directional picking technique makes fast guitar speed easier, the next step is to learn how to practice guitar to build lightning speed with all your techniques. Download this free guitar speed guide and learn how to play guitar as fast as you’ve always wanted.
Become a faster guitarist by taking lessons for electric guitar players.